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it was a whole host of things to try to juggle and ultimately at the end of the day it just became just simplifying and focusing on the immediate need in the scene which was to provide the attention and care and assistance to an individual (regardless of whether this was someone I knew or not) who needed my help. And so, getting into the work for the Fourth Season of the show ... can Blake retain this ... can he retain that? I think the biggest failure that could have happened ended up happening; being unable to professionally separate the strong emotional core and affection that I had for Ted. It was walking this line of; I love this guy but, my God, more importantly than that, if I do love this guy I want to help him! So, can Blake hold out on his end as far as returning to the drug? Where it was left I think Blake has a lot of responsibilities to ground himself; again, it's been a learning experience for him in his new position as a counselor for people who have come under the influence of the drug.
DG: As far as your work on Queer as Folk is concerned, what would you say has been the most difficult part of working on that show?
DA: Not being a regular fixture, I would have to say. I'm pretty attached to (the character of) Blake, and I'm pretty attached to the relationship that Blake has with Ted. As an actor, you get very emotionally involved. And I know that the hardest thing for me at the end of the First Season (and moving into the Second Season) was not having closure. You know, for Chrissake, kill me off at least! (We are both laughing) He doesn't run away ... that just wasn't an option!
这是dean armstrong这个演员被采访的片段。
万恶的编剧！！！！ 干吗不把blake写成常驻角色啊！！ 在这变换无穷神展开的剧情里放一个从一而终的角色就这么难么这么难么这么难么！！！ |
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